TO A SAFE STOP
Frank Bell's training program culminates in a
graceful, yet quite practical, one-rein stop.
Article by Karen Boush,Photographs by Jane Reed
Western Horseman, January 2000
horse gentler Frank Bell performs a one-rein stop, he guides his equine partner
through an elegant, free-flowing movement that involves solidcommunication and
According to Bell, teaching a horse 'ballet,' as he calls the final segment of
his seven-step training system, elevates safety to an art. Two simple maneuvers
- a one-rein stop followed by a turn on the haunches - give riders the means to
disengage the hindquarters in dangerous situations as well as teach the horse
proper foot placement and weight shifting. Ultimately, once the steps have been
learned and the moves polished, horse and rider are in sync both physically and
mentally. When the hindquarters are properly disengaged the horse cannot run
off or rear.
The first five steps of Bell's safety system were reviewed in WH's
September1998 and December 1999 issues and taught riders how to bond with their
horses, build horses confidence through desensitization and get horses to think
rationally during ground exercises.
In the final two steps, which are the focus of this article, you will leadyour
horse through a dance that pulls together everything learned in the previous
steps. The lessons require you to use clear, distinct body language and
accurate timing to convey precise directions to your horse. According to Bell,
the high level of communication and understanding you establish with your horse
through this work will transfer into everything else the two of you do, whether
it's in the barn, in the show arena, or out on the trial. Your horse will
become an athlete, and you will become his respected friend.
Step 6: Ballet on the Ground
Using a halter (preferably of soft rope with no
buckles) and a 12-foot lead rope, ask your horse to walk forward in a clockwise
circle. As in Step 4,when you drove your horse on the ground before winding him
down, hold the rope with your right hand and use your left hand as the
accelerator. As soon as your horse is working his legs energetically, reach
across in front of your body with your left hand and take hold of the lead
rope. With a light tug on the rope, tilt the horse's head slightly to the right
so he momentarily stops. Your horse will shift his weight forward and move his
hind legs around, essentially performing a turn on the forehand. Now, use the
open palm of your left hand in a pushing motion toward your horse's left eye to
send him off in the opposite direction. Ideally, he will rock his weight
backward, his hind legs will remain fixed, and his front legs will step over
each other as he executes a turn on the haunches. Open your arms to help guide
him into a counterclockwise circle, using body language to help communicate
your wishes to the horse. Then repeat in this direction.
Bell points out that when first introducing this to a horse, you most
likelywill need to be extremely obvious about your blocking. He suggests
getting your left hand up close to the horse's eye to impress on him your
desire for him to move off in the other direction, or even lightly bumping his
cheek with your open hand if he gets too close to you.
"Don't step back, Bell advises. Get a horse to respect your space. If
youstand your ground he's going to have to arrange himself around you. Be sure,
however, to hold the line lightly so you don't unintentionally sendhim mixed
signals by reeling him in toward you. Eventually, your horse will know how to
do the dance on his own. I barely touch the rope, and my horse understands what
I mean." Bell says. "My body language gets the whole thing
As with any dancing duo, a lack of coordination by either will affect theflow
of the steps. So you, too, will have to perfect your own moves. Bell suggests
practicing the cues without subjecting a horse to your missteps. Either have a
friend hold the far end of the rope and circle around you as a horse would, or
tie the rope to a fence post and practice on your own. Refining your ability to
perform the steps before you teach them to your horse will save him from
feeling needlessly confused. If when practicing with your horse you yourself
feel puzzled. Bell suggests using a wind-down to regroup.
You can always gain time and gather your thoughts by doing a wind-down. Fora
lot of people, they're overwhelmed the first time they do this--there's so much
going on, and you really are teaching the horse to dance. We¹ve got two
partners here and you're not very good at it yet because you haven't practiced
it. So when you start to lose it, do a wind-down, which is essentially a
one-rein stop on the ground.
you and your horse get to the point where you perform these maneuvers on the
ground skillfully, it is a constructive use of the horse's energy. You're
deflecting his energy from one side to the other with a minimum of effort and
engaging both his mind and body." Bell explains. The exercise also
reinforces important lessons and ingrains invaluable patterns of movement in
your horse. "He is reading your body language to understand what you
want." Bell says, "As he does it, he's respecting your space,
changing eyes, moving away from pressure, and using himself properly."
Bell reminds handlers that a horse cannot perform these precise foot maneuvers
and position himself accurately without his weight being properly placed--first
shifted forward, then back.
And you want your horse to do this slowly. When the horse moves abruptly,he's
impulsive. You want to see a horse think about it and do it rationally--that's
the big word here. Eventually, it will all come together, Bell says, and your
horse will work his mouth, lower his head and relax his tail. And that, Bell
says, is the required invitation to ride. With the footwork already practiced
on the ground, it transfers easily to work in the saddle. "I find that
once this work on the ground is accomplished, and you¹ve really got some
finesse working on the ground, you're in a pretty good place when it's time to
get in the saddle," Bell says.
Step 7: In the Saddle
You can use the rope halter with the lead rope
as reins or a snaffle bit to effectively and humanely communicate from the
saddle to your horse. Once in the saddle, begin a one-rein stop to the right by
walking your horse in a clockwise circle. When he is moving with life, bring
your left hand and reins up toward your chin to pull the slack out of the
reins. Then, simultaneously
* lean slightly forward (because that's where
the horse's weight needs to be).
* slide your right hand down the rein and pull to the right, toward your hip
* release the left rein, stroking the horse¹s neck with your left hand if
you can, and
* move your right leg back just slightly and bump the hind quarters
When your horse complies with your request by
turning on his forehand, immediately release your leg pressure. Wait for the
horse to come to a full stop and get soft to the right rein. Release the head
slightly, then ask him to turn on his haunches by
* first shifting your weight back a little and
waiting for your horse to follow and shift his own weight back, then
* laying the rein across the horse's neck with your left hand, and, finally.
* encouraging him to step over in front by moving your left (outside) leg
slightly forward and applying gentle pressure.
Note that your horse may take a half-step back
with his inside front leg before he steps over in front, which means he has
shifted his weight back. As you finish the movement the horse will walk off in
the same direction youstarted.
Bell tells riders to remember the cues from the saddle as 'inside, inside,
outside, outside,' meaning that for turns to the right first use your
inside(right) rein and leg, then your outside (left) rein and leg.
Note that during the maneuver --both on the ground and in the saddle --one side
of your horse will be stiffer than the other. "Your horse is going to be
less accurate, he's going to bend less, and he's going to be a little more
clumsy on one side." Bell says, "It's your job to know which side is
behind so you can get in there and help him with it and get him caught
Disengaging the Hindquarters
The most fundamental and practical goal of this
exercise is to disengage the horse's hindquarters, which occurs when the
horse's inside hind leg steps over in front of his outside hind leg during the
turn on the forehand. If your horse were a car, the movement would essentially
throw him into neutral by disengaging the engine that keeps him moving --his
hindquarters. "We've all been run away with, with the horse¹s head
cranked around to the side 90 degrees while you're yelling "whoa!"
Bell explains. "You can be pulling the horse's head around and they'll
still be going straight until they are disengaged behind. The idea is to have a
plan. We¹re practicing this so when an emergency comes and the horse
freaks out, you have somewhere to go. Just like your foot pressing the brake,
you've done it enough you don't have to think about it. You just bump the
hindquarters over and bringthe horse around."
If your horse has trouble performing this move, it's essential that you take
the time to teach it to him on the ground. Press the stirrup or your thumb into
his side (at the point where your leg would fall if you were signaling to him
while in the saddle ) until he understands that he needs to move his
hindquarters away from pressure.
Once you and your horse have perfected this sequence at the walk, progressto
the trot, then the canter. It's critical, however, that the faster you're going
the bigger you make the circle. "If you bring the head around too
abruptly," Bell explains, "the horse could lose his balance."
Also be sure to determine which lead the horse is in and direct to that side.
Practice Bell's routine regularly and use it as a way to warm your horse up
mentally and physically for whatever you want to do. "It gets them
loosened up and takes 90 percent of the risk out of riding," Bell says.
"And it's the repetition of working at it that gets the whole thing going.
It's a step-by-step process. You'll get it," Bell encourages. It's not
easy, but what is? You're creating an athlete who knows exactly what his feet
are doing. H'e¹s using his whole body and really separating it out. This
danceallows you to have complete control.
As in all training, timing is critical. Ask, anticipate, get it, release,
reward," Bell says. "It is the accurate release of pressure that the
horse learns from. People who are sharp and have good timing can get amazing
things out of horses." Even a waltz.
|| Frank Bell's company Dances
with Horses offers a variety of products to help horse owners of every
discipline in their quest to become better communicators.
"Dances With Horses has assembled an
extensive Video and Audio library to help horse owners on all levels become
better communicators: 'Discover the Horse You Never Knew' - Frank's Foundation
Video detailing his 7-Step-Safety-System, Communication in the Saddle,
Spooking/Shying, Trailer Loading, Solving 7 Common Horse Problems, Mounting the
Difficult Horse AND Problem Foot Handling, Water and Bridge Crossing, Working
with Young Horses, Starting the Young Horse, Retraining the Racehorse, A Day in
the Life of a Horsewhisperer, AND audio book- The Gentle Solution- 7 Steps to
the Horse You Always Wanted.
Please visit our website at www.horsewhisperer.com